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    Home»Architecture»Saunders Architecture designs remote visitor centre for Maine monument
    Architecture

    Saunders Architecture designs remote visitor centre for Maine monument

    Team_HomeDecorDesignerBy Team_HomeDecorDesignerJune 21, 2025No Comments5 Mins Read
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    Norwegian studio Saunders Architecture has completed a mountaintop visitor centre in northern Maine, USA that celebrates the region’s Indigenous peoples.

    Officially opening today, 21 June 2025, the remote Tekαkαpimək Contact Station sits atop Lookout Mountain within the present and traditional homeland of the Penobscot Nation.

    Cedar-clad building in a forest with volumes that cantilever from a central nexus
    Tekαkαpimək Contact Station comprises cedar-clad volumes that cantilever from a central nexus

    Located on a 23-acre site and covering 7,900 square feet (734 square metres), the cedar-clad building serves as a welcome centre for visitors to the Katahdin Woods and Waters National Monument.

    “Katahdin is a culturally significant place to the Wabanaki people, where connecting watersheds provide important travel routes for Wabanaki people of Maine, comprised of Maliseet, Mi’kmaq, Passamaquoddy, and Penobscot Nations,” said the centre’s team.

    Deep windows puncture curved walls to frame views of the forest
    Deep windows puncture the curved walls to frame views of the forest

    Tekαkαpimək – pronounced “deh gah-gah bee mook” – is a Penobscot word for “as far as one can see” and the centre enjoys a lofty vantage offers over the forested landscape.

    The building was designed by Saunders Architecture with consultation from a Wabanaki advisory board, and is roughly laid out in a cross shape with an extra diagonal branch cantilevered from its east-facing entry volume.

    Entrance to a visitor centre accessed via a plaza
    The east-facing entrance to the visitor centre is accessed via a plaza

    A plaza in front of the main entrance extends downhill through the trees as steps that lead to an eastern lookout and gathering circle.

    This landscape feature, designed by Reed Hilderbrand, allows visitors “to greet the day’s first light, reflecting traditions of the People of the Dawn and providing views to all Wabanaki homelands” according to the design team.

    Interior lined with Douglas fir with works from local Indigenous artists
    The interior is lined with Douglas fir and features several commissioned works from local Indigenous artists

    From the building’s entrance, the roof slopes up so that the majority of the Douglas fir interior benefits from a double-height ceiling.

    Each wing is lined on each side with exhibits that introduce visitors to the area’s geography and Wabanaki culture and traditions.

    Deep walls housing exhibits about northern Maine's geography and Indigenous cultures
    The building’s deep walls house exhibits about the region’s geography and Indigenous cultures

    Educational exhibits, commissioned artworks and trail maps are found throughout, while an attendant desk can provide additional information and resources.

    Deep walls created by a frame of glulam columns assist with structural support and also accommodate seating, while three fireplaces through the building keep visitors warm in the winter.


    Render of Lever Architecture's design for the Portland Museum of Art

    Read:

    Lever Architecture designs "Maine’s next great landmark" for art museum expansion


    Huge bird-safe windows face the four cardinal directions, offering views over the landscape and creating an interplay of light throughout the day.

    “As singular as its surroundings, Tekαkαpimək Contact Station is a work of collaborative design and construction, intentionally imbued with Wabanaki knowledge,” said the team.

    Aerial view of Tekαkαpimək Contact Station showing how the east-west axis is extended by landscaping
    The building’s main wings are aligned with the four cardinal directions and the east-west axis is extended by landscaping

    The Katahdin Woods and Waters National Monument was created by Roxanne Quimby, a cofounder of skincare brand Burt’s Bees, who began buying up land in the region in 2001 before donating 87,563 acres to the American people in 2016.

    Now managed by the National Parks Service, it is a designated International Dark Sky Sanctuary with “some of the darkest skies east of the Mississippi River.”

    A gathering circle for watching the sunrise
    The landscape steps down to an eastern lookout and gathering circle for watching the sunrise

    Founded by Canadian architect Todd Saunders, Saunders Architecture is perhaps best known for the buildings it designed for Canada’s Fogo Island – including a series of remote artist’s studios and a hotel and gallery set against rugged terrain.

    Elsewhere in Maine, Lever Architecture has proposed an expansion to the Portland Museum of Art that aims to honour the state’s history through the use of mass timber.

    The photography is by James Florio. All Wabanaki Cultural Knowledge and Intellectual Property shared within this project is owned by the Wabanaki Nations.


    Project credits:

    Wabanaki advisory board: Natalie Dana-Lolar, Passamaquoddy/Penobscot; John Dennis, Mi’kmaq; James Eric Francis, Sr., Penobscot; Nick Francis, Penobscot; Gabriel Frey, Passamaquoddy; Jennifer Gaenzle, for Mi’kmaq; Suzanne Greenlaw, Maliseet; Newell Lewey, Passamaquoddy; Jennifer Neptune, Penobscot; Kendyl Reis, for Mi’kmaq; Richard Silliboy, Mi’kmaq; Donald Soctomah, Passamaquoddy; Chris Sockalexis, Penobscot; Isaac St. John, Maliseet; Susan Young, for Maliseet
    Indigenous Intellectual and Cultural Property (ICIP) consultant: Dr. Jane Anderson, ENRICH (Equity for Indigenous Research and Innovation Co-ordinating Hub)
    Design architect – Norway: Todd Saunders, Saunders Architecture
    Architect of record – USA: Alisberg Parker Architects
    Structural engineer: Atelier One
    Surveyor, civil engineer, and structural engineer of record: Haley Ward
    Landscape architect: Reed Hilderbrand
    Construction management: Wright-Ryan
    Environmental and energy consultant: Transsolar
    Interpretive planning: Tūhura Communications
    Exhibit writer: Jennifer Neptune, Penobscot
    Documentarians: James Eric Francis, Sr., Penobscot; Nolan Altvater, Passamaquoddy
    Exhibits, wayfinding and signage design: WeShouldDoItAll (WSDIA)
    Exhibition fabrication: Split Rock Studios
    Signage Fabrication: DCL
    Site work and road construction: Emery Lee & Sons
    Landscape site work: OBP Trailworks
    Creative program management: Erin Hutton Projects

    The post Saunders Architecture designs remote visitor centre for Maine monument appeared first on Dezeen.



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